Giulio Pippi, called Giulio Romano

Laid down on the remains of an 18th century mount. The lower right and left hand corners are cut and made up. Overall the sheet has discoloured to a beige colour and in the centre, near the drawing of the rabbit, some colour has been put on top of a light brown stain in order to cover it, all this is visible in the catalogue. The sheet has suffered and has most probably been cut into an arch shape, visible today. On top of the dog's head there is a light grey stain also visible in the catalogue.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Vasari writes a long passage about Giulio's fame through 'il disegno' mentioning also how much he drew, and his inventions were widely circulated through copies and engravings.¹  We have not been able to relate this drawing to any surviving work, but its appearance suggests that it most probably was intended for one of his stucco decorations in Palazzo Te. 

1. G. Vasari, Le vite de' più eccellenti pittori, scultori et architettori, ed. G. Milanesi, Florence 1880, vol. V, pp. 549-551