L12040

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Lot 100
  • 100

Abraham Furnerius

Estimate
5,000 - 7,000 GBP
bidding is closed

Description

  • Abraham Furnerius
  • Town view with a bridge
  • Pen and brown ink and grey wash

Provenance

Sir Thomas Lawrence (L.2445);
William Esdaile (L.2617);
J.P. Heseltine (L.1507),
his sale, Amsterdam, F. Muller, 27 May 1913, lot 29 (as Rembrandt, A View of Dordrecht);
M. et Mme. Louis Cartier,
by descent to their son, Claude Cartier,
his sale, Monte Carlo, Sotheby's, 26 November 1979, lot 504 (as Attributed to Rembrandt)

Exhibited

Paris, Bibliothèque Nationale, Exposition d'oeuvres de Rembrandt, 1908

Literature

E. Michel, Rembrandt, sa vie, son oeuvre et son temps, Paris 1893, no. 24;
C. Hofstede de Groot, Die Handzeichnungen Rembrandts, Haarlem 1906, no. 1042 (as Rembrandt)

Condition

Laid down. Various repaired tears in sky. lightly foxed and a little faded, but still very legible.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

In a letter dated 16 September 1992, Dr. Werner Sumowski confirmed the attribution, and stated that he would include the drawing in the forthcoming volume 15 of his Drawings of the Rembrandt School.

The short-lived Furnerius may have studied with his brother-in-law Philips Koninck, before entering Rembrandt's studio around 1642, where he trained alongside Samuel van Hoogstraten and Carel Fabritius.  Signed drawings by the artist are not known, but an oeuvre has been reconstructed around several works inscribed with convincing early attributions.1

1.  H. Bevers, L. Hendrix, W.W. Robinson & P. Schatborn, Drawings by Rembrandt and his Pupils, Telling the Difference, exhib. cat., Los Angeles, J. Paul Getty Museum, 2009-10, pp. 158-63