L12402

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Lot 47
  • 47

Grechaninov, Aleksandr.

Estimate
1,500 - 2,000 GBP
bidding is closed

Description

  • Two autograph manuscripts and one annotated scribal manuscript, signed ("A. Gretchaninoff")
  • paper and ink
1) Autograph manuscript full scores of the orchestral songs "Quand la hanche tombe", Op.1 no.2, and "Mon pays!", Op.1 no.4



notated in black ink on two nine-stave systems (Op.1 no.2) and one sixteen-stave system (Op.1 no.4) per page, autograph title-pages, signed ("A. Gretchaninoff"), both manuscripts also signed twice at the head of the music, Op.1 no.2 with text in Russian, Op.1 no.4 with text in Russian and French, a few deletions and corrections, 7 pages in all, folio (35 x 27cm), 18- and 22-stave French paper, a few non-autograph pencil markings, no place or date [c.1937-1939?]



2) Scribal full score of the orchestral song "Pourquoi se fanent les feuilles", Op.5 no.3, signed, entitled in Russian and with added Russian words in black ink by Grechaninov, 12 pages, folio (36 x 27cm), 14-stave paper, autograph opus number ("op. 5, N3") to upper wrapper, wrappers, no place or date [c.1939?]

Condition


"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Uncommon. The two songs Op.1 nos.1 and 4 date from the late 1880s to early 1890s, and formed part of five "Melodies" for voice and piano. The present arrangements of Op.1 no.4 for soprano and orchestra and of Op.1 no.2 for soprano, string quartet, oboe and harp date from c.1937/39. "Pourquoi se fanent les feuilles" was originally composed in 1894 for voice and piano, as one of four "Melodies".