Caruso, Enrico.

including alterations to the music and libretto of the role of Des Grieux, the changes written into the score in ink and pencil, with details of how to sing various passages ("...Risoluto..."), cuts, cues, dynamic markings,  and other alterations, other annotations in blue crayon and pencil, with some alterations to other parts in other hands. 397 pages, 4to (c.26 x 18cms), words in French only, limp red calf, stamped in gilt  "Enrico Caruso,'' gilt edges, fitted folder & slip case.



 

Condition is described in the main body of the cataloguing, where appropriate
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This is a fascinating and important source.  In the absence of any complete recording of Caruso's performance of the role of Des Grieux, this score adds much detail to the great tenor's interpretation. Caruso recorded two numbers in French in 1911-1912, but in this score De Grieux's part is marked up throughout the opera, and includes some additional music for the spoken dialogue between Manon and Des Grieux.  What is especially important is the amount of rewriting, not only of the music, but of the text.  Important too are the number of embellishments to the vocal line and Caruso's interpretation of different passages. It is unusual that there are also changes marked to other roles and not just those with whom Des Grieux interacts.  Caruso first sang Massenet's opera at Buenos Aires in 1900 (one performance), but mainly at the Metropolitan Opera in New York in 1909 (with Farrar and Scotti), and again in 1912 & 1913 (both times under Toscanini).