- 143
Sir Eduardo Paolozzi, R.A.
Estimate
30,000 - 50,000 GBP
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Description
- Sir Eduardo Paolozzi, R.A.
- Yantra
- cast, extruded and welded aluminium
- (I) height: 201cm., 79in.; width: 259cm., 102in .; depth: 152.5cm., 60in. (II) height: 203.5cm., 80in.; width: 198cm., 78in.; depth: 150cm, 59in. (III) height: 240cm., 94½in., width: 122cm., 48in., depth: 61cm., 24in.
- Executed from 1973-4, the present works are unique.
Provenance
Commissioned by Sir Terence Conran for Habitat, Wallingford, 1974-1994
Exhibited
Wallingford, Habitat Playground, until 1994;
Wakefield, Bretton Hall, Yorkshire Sculpture Park, Eduardo Paolozzi: A Birthday Celebration, August - October 1994, then on long-term loan until 2010.
Wakefield, Bretton Hall, Yorkshire Sculpture Park, Eduardo Paolozzi: A Birthday Celebration, August - October 1994, then on long-term loan until 2010.
Literature
Robin Spencer (ed.), Eduardo Paolozzi: Writings and Interviews, Oxford University Press, Oxford, 2000, pp.243-4, 305.
Condition
All three works are structurally sound. Their surfaces bear scratches and abrasions and signs of weathering inherent to being exhibited outside. The U-bend has some signs of rust around the screw holes where the work was attached to the ground. Some occasional signs of oxidation and dirt to the works, notable along the bottom. They may benefit from a light clean, otherwise they appears in good overall condition.
Please telephone the department on +44 (0) 207 293 6424 if you have any questions regarding the present lot.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
In his exhibition at the Tate Gallery in 1971, Paolozzi showed two racks of nine aluminium ‘bombs’, (one group unpainted, one white), a yellow bomb with a twist in its tail, and an unpainted bomb with a bent nose, Jackanory (cat. nos.66-7, reproduced). The bombs were the principal source for Yantra and Manuk. The upturned ‘U’ element was also included in Paolozzi’s sculpture WASTE – Cloud Atomic Laboratory, an aluminium replica of a builder’s skip containing castings from his ‘vocabulary of aluminium forms’, which was also shown at the Tate Gallery in 1971 (cat. no.68), and in the exhibition British Sculptors 72 at the Royal Academy in 1972 as Thunder and Lightning with Flies and Jack Kennedy. Two versions of the sculpture were subsequently developed, one of which is in the Galleria d’Arte Contemporanea, Milan, the other in the Haus der Kunst, Munich. The catalogue of the Milan exhibition, where the first version was exhibited in 1976, contains a statement by Paolozzi about the concept of waste in art, which is reprinted in Eduardo Paolozzi: Writings and Interviews.
Robin Spencer
Robin Spencer