Lot 18
  • 18

Antony Gormley, R.A.

Estimate
150,000 - 250,000 GBP
bidding is closed

Description

  • Antony Gormley, R.A.
  • Insider VIII/ Weeds 1
  • stamped with initials, dated 1998, and numbered 377 1/5
  • iron
  • 184.5 by 55.5 by 38cm.; 73 by 22 by 15in.
  • Conceived in 1998, the present work is an edition of 5 plus 1 artist's proof.

Provenance

New Art Centre, Salisbury, where acquired by the Jerwood Foundation in March 2000

Exhibited

Xavier Hufkens Gallery, Belgium
Ragley Hall, Warwickshire

Condition

The piece has recently been inspected and cleaned by the artist's studio. The sculpture is in generally excellent condition, it has previously been exhibited outside and has naturally oxidized. Please telephone the department on 0207 293 6424 if you have any questions about the present lot.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

'What is an Insider? An Insider is to the body what memory is to consciousness: a kind of residue, something that is left behind.  It is a core rather than a skeleton.  It is a way of allowing things that are internal to the body - attitudes and emotions embedded in posture or hidden by gesture - to become revealed. - They are equally alien and intimate.'
(Antony Gormley, quoted in John Hutchison et al., Antony Gormley, Phaidon, London, 2000, p.160).

The present work is one of a series of sculptures entitled Insiders which occupied the artist from 1996 - 1999. The works began as an experiment with the reduction of form and the sixteen sculptures in the series were all two-thirds reductions of the artist's own body as well as three works based on different women and one based on the artist's first child. As Gormley explained, 'the idea is that the pieces carry in concentrated form the trace of the body and its passage through life...The Insider suggests also that the most intimate is the most strange, that inside each of us is a self that we would maybe rather not recognise, and which constitutes a kind of third man, the Insider as alien witness...' (Gormley, ibid., pp.160-161).