Sarah More

Commissioned by the Jerwood Foundation in 2003

Ragley Hall, Warwickshire (2003 to present).

There are 1 or 2 tiny chips to the edges, including to the top edge of the reverse. The surface is inherently uneven, and there is a small scratch on the front of the piece above the bottom edge. There are spots of staining, old lichen stains, and debris across the surface, which is consistent with exhibiting the piece outdoors. Please telephone the department on +44 207 293 6424 if you have any questions regarding the present lot.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

A sculptor passionate about materials, Sarah More coaxes compositions out of her chosen substances, which range from driftwood, recycled objects, glass and stone. Inspired by the landscapes of Basilicata and Tuscany, where she takes regular stone carving holidays, she is also interested in design, workmanship, and the measure and balance of carved lettering. In Standing Stone, Moore inscribes a slab of ancient limestone with the message:

Journey well
It is quickly done
I will stand always

Positioned amongst the greenery it is a testament to the passage of time, reflecting a permanence which contrasts with the transience of life.