Lot 78
  • 78

Ismail Gulgee (1926 - 2007)

Estimate
50,000 - 70,000 USD
bidding is closed

Description

  • Ismail Gulgee
  • Untitled
  • Signed and dated 'Gulgee '87' lower left
  • Oil and gold leaf on canvas
  • 60 by 84 in. (152.4 by 213.4 cm)

Provenance

Acquired directly from the artist in the 1960's, when Gulgee was the artist in residence at Radcliffe College

Condition

In good condition, minor scattered surface dirt, colors more saturated in reality.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

The current, large-scale work is an excellent example of Gulgee's vivid abstract oil and gold leaf style, highlighting the artist's sensitive treatment of color and affinity for mixing precious stone in his palette.

"Gulgee received his first exposure to abstract expressionism in 1960 through an exhibition in Karachi of American painter Elaine Hamilton. Gulgee adapted the energy and gesture of action painting to a Pakistani context, using virtuoso brushwork to produce large, free-flowing calligraphic abstractions that captured the mystical dance of Sufi dervishes.

"Though Gulgee had a high public profile across the Muslim world, with works in numerous private and state collections, he exhibited infrequently at home, citing a lack of proper exhibition venues for his large-scale work. In 2000, the artist inaugurated the Ismail Gulgee Museum near his home in Karachi, Pakistan," (News/Passings, ArtAsiaPacific, Vol. 57, 2008, p. 81).