Lot 33
  • 33

Prodosh Das Gupta (b.1912)

Estimate
10,000 - 12,000 USD
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Description

  • Prodosh Das Gupta
  • Mother and Child (Gothic)
  • Bronze
  • 12 1/4 by 7 1/4 by 8 3/4 in. (31 by 18.3 by 22.1 cm)

Condition

Good overall condition. More blue-green to patina than in catalogue illustration.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

"A lean sparseness characterises Prodosh Das Gupta's sculptures, almost as though he wanted to reach the essence of human emotion while absolving the form from it. Nothing was more important, he would note, than life's breath breathed into a sculpture – what the Indians called prana, and which his role-model Henry Moore described as sculpture having its own life.

"In attempting to arrive at that ephemeral soul through the rigidity of bronze, Prodosh Das Gupta invented something he would label 'instant sculpture'. It wasn't so much sculpture made in a jiffy, as the term might suggest, as it was intuitively (as opposed to intellectually) created, shaped by hands and a mind that had not dwelt too long on the possibility of what might result from "directness, spontaneity, vitality and a microcosmic feeling" – according to the sculptor – that would give his work a "life force and meaning". Pared down from the excess of some of his predecessors and contemporaries, Prodosh Das Gupta nevertheless remained fettered to humanistic concerns, whether involving relationships or socio-political issues such as hunger. But in steering away from the maudlin or sentimental in favour of the steadiness and solidity of his choice of medium, he breathed into his sculptures a contemporary timelessness."

Kishore Singh