L12222

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Lot 41
  • 41

Avinash Chandra

Estimate
12,000 - 18,000 GBP
bidding is closed

Description

  • Avinash Chandra
  • Symbols
  • Signed and dated 'Avinash 60' lower right
  • Oil on canvas
  • 71.6 by 91.4 cm. (28 1/4 by 36 in.)

Condition

Minor undulations to the paint surface. This work is varnished, in good condition, as viewed.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

'His life was art, his work was art and his pleasure was art' (Valerie Murray-Chandra, Avinash Chandra, A Retrospective, London, 2006, p. 5.)

Having painted for over 40 years, Chandra's works have entered into prestigious collections, galleries and museums across the globe. He was the youngest ever artist to be offered an exhibition by the Progressive Artist's Group, and was eventually awarded first prize at the Lalit Kala Akademi in 1955.

He found unique ways of expressing his point of view, giving particular precedence to the modern movement. His work references Post Impressionism, by flattening the picture planes and emphasizing the materiality of paint. In the late 50s and early 60s, his paintings are richly layered, with the careful use of colour that lend the works an air of intensity. 'His are "symbolic presences", however a personal symbolism that is open and non-particular' Mohini Tandon in the Hindustan Times, cited in Dr Rachel Garfield, Avinash Chandra, A Retrospective, London, 2006, p. 12.) This work titled 'Symbols', is the epitome of Chandra's use of symbolism and colour.