PF1211

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Lot 102
  • 102

Faune au chevreau France, vers 1800, d'après l'Antique

Estimate
5,000 - 7,000 EUR
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Description

  • Faune au chevreau
  • en bronze à patine noire
  • Haut. 36 cm
  • Height 14 in
 

Literature

RÉFÉRENCE BIBLIOGRAPHIQUE
F. Haskell, N. Penny, Pour l'amour de l'antique. La statuaire Gréco-Romaine et le goût Européen 1500-1900, New Haven, Londres, 1981, no. 105, pp. 226-8

Condition

Overall the condition of the bronze is good with minor dirt and wear to the surface consistent with age. There is evidence of old laquers, including to the face. The head of the goat is cast separately and the joint is visible. There are a few small lacunae, including to the proper right inner wrist at the staff. There are a few further casting flaws, including to the proper left forearm, to the tree stump, to the proper right inner thigh, at the side of the goat's proper right front leg and at the side of its back proper left leg. There is a very slightly visible fissure at the proper left foot. There is an original plug to the proper left forearm and a possible casting flaw to the back of the base.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Le marbre antique du Faune aurait été découvert vers 1676, envoyé au sculpteur Ercole Ferrata, pour être vendu à la reine de Suède. En 1685, le marbre fut copié par Anselme Flamen pour Versailles, et en 1686 par Pierre Lepautre (1659-1744) pour les jardins de Marly.