- 323
Albert Paris von Gütersloh
Description
- Albert Paris von Gütersloh
- BILDNIS FELIX ALBRECHT HARTA (PORTRAIT OF FELIX ALBRECHT HARTA)
- signed PG (upper left)
- oil on canvas
- 62.6 by 51.7cm., 24 5/8 by 19 7/8 in.
Provenance
Private Collection, Israel
Private Collection, Israel (acquired from the above circa 1970)
Private Collection, United Kingdom (acquired from the above circa 1997)
Acquired from the above by the present owner
Exhibited
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Albert Paris von Gütersloh's Portrait of Felix Albrecht Harta is an exciting rediscovery. The portrait was part of von Gütersloh's contribution to the 'Gustav Klimt und der Bund Österreichischer Künstler' exhibition early in 1913 and was most likely painted when Harta studied cubist painting alongside von Gütersloh in Paris under the tutelage of Maurice Denis.
Von Gütersloh captures the gesticulating Harta through the refractive lens of Cubist influences and the precedent of Cézanne. A year later the artist expressed the wish to improve his composition of colours, which is visible in the artwork. Almost experimental in application, Von Gütersloh gradually builds colour depth in the darker blue hues of the sitter's jacket. These tones, which he places next to unexpected bursts of yellows and lilac, offset the otherwise monochromatic background and give the painting a distinctly novel appearance.