- 220
Alexej von Jawlensky
Estimate
100,000 - 150,000 USD
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Description
- Alexej von Jawlensky
- Jubilance (Seelenwandern)(Jubilee (Souls Wander))
- Oil on linen-finish paper mounted on board
- 14 by 10 3/4 in.
- 35.6 by 27.2 cm
Provenance
The artist's studio
Emmy Galka Scheyer, Los Angeles (acquired on consignment from the above in 1933)
Maxwell Galleries, San Francisco
Jimmy Wilson (Wilson, Taylor & House), Los Angeles (acquired from the above circa 1965)
Thence by descent
Emmy Galka Scheyer, Los Angeles (acquired on consignment from the above in 1933)
Maxwell Galleries, San Francisco
Jimmy Wilson (Wilson, Taylor & House), Los Angeles (acquired from the above circa 1965)
Thence by descent
Exhibited
Dresden, Galerie Emil Richter, Alexej Jawlensky, 1922, n.n.
Chemnitz, Kunsthutte, Alexej Jawlensky, 1923, no. 257
Stuttgart, Kunsthaus Schaller, Alexej Jawlensky, 1923, n.n.
Berlin, Galerie Ferdinand Moller, Die Blauen Vier, 1929, no. 65
Los Angeles, Los Angeles Museum, The Blue Four: Feininger, Jawlensky, Kandinsky, Paul Klee, 1933, no. 59
San Francisco Museum of Art, Alexej Jawlensky, 1936, n.n.
Seattle, University of Washington, Henry Art Gallery, Alexej Jawlensky, 1937, no. 15
Los Angeles, Stendahl Galleries, Alexej Jawlensky, 1940, no. 9
Chemnitz, Kunsthutte, Alexej Jawlensky, 1923, no. 257
Stuttgart, Kunsthaus Schaller, Alexej Jawlensky, 1923, n.n.
Berlin, Galerie Ferdinand Moller, Die Blauen Vier, 1929, no. 65
Los Angeles, Los Angeles Museum, The Blue Four: Feininger, Jawlensky, Kandinsky, Paul Klee, 1933, no. 59
San Francisco Museum of Art, Alexej Jawlensky, 1936, n.n.
Seattle, University of Washington, Henry Art Gallery, Alexej Jawlensky, 1937, no. 15
Los Angeles, Stendahl Galleries, Alexej Jawlensky, 1940, no. 9
Condition
Executed on cream colored linen finish paper laid down on masonite. There is an S shaped repaired tear in the sheet that runs across the upper left quadrant. There is another small repaired tear at the center of the upper right quadrant and one in the dark blue area near lower left corner. The work is accompanied by a cardboard backing sheet to which the paper was originally glued. This board shows some imprinted remnants of the verso of the work, including one label, and contains all of the original labels describing the work. Under UV light: one small stroke of inpainting in the tan colored oval nearest to upper left corner, otherwise fine. Colors are bright and fresh. Work is in generally good condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.