- 118
André Lhote
Estimate
120,000 - 180,000 USD
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Description
- André Lhote
- Le marin à l'accordeon
- Signed A. Lhote. (lower right)
- Oil on canvas
- 40 3/8 by 30 3/4 in.
- 102.6 by 78.1 cm
Provenance
Monsieur Jean Delgouffre, Brussels
Monsieur Jean-Pierre Moueix, Libourne
Adrienne Monnier, Paris
Sale: Loudmer Scp, Paris, June 16, 1990, lot 100
Private Collection, France
Monsieur Jean-Pierre Moueix, Libourne
Adrienne Monnier, Paris
Sale: Loudmer Scp, Paris, June 16, 1990, lot 100
Private Collection, France
Exhibited
Paris, Salon des Indépendants, 1920
Paris, Rétrospective des Indépendants, 1926
Albi, Musée Toulouse-Lautrec, Exposition André Lhote, 1962, no. 26
Paris, Rétrospective des Indépendants, 1926
Albi, Musée Toulouse-Lautrec, Exposition André Lhote, 1962, no. 26
Literature
Galerie Druet, André Lhote, Paris, 1920, illustrated
Le Crapouillot, March 1920, illustrated, p. 10
René Dessambre, "Le Salon des Indépendants," L’Action d’Art, no. 6, February 8, 1920, p. 5
Paul Colin, "André Lhote," Das Kunstblatt, 1921, no. 2, illustrated p. 36
René Jean, "Le Salon des Indépendants," Comoedia, February 19, 1926, illustrated
B.J. Kospoth, "André Lhote," Chicago Tribune, Chicago, July 18, 1926, illustrated
Pierre Courthion & Jacques Rivière, André Lhote, Paris, 1926, illustrated
Le Crapouillot, March 1920, illustrated, p. 10
René Dessambre, "Le Salon des Indépendants," L’Action d’Art, no. 6, February 8, 1920, p. 5
Paul Colin, "André Lhote," Das Kunstblatt, 1921, no. 2, illustrated p. 36
René Jean, "Le Salon des Indépendants," Comoedia, February 19, 1926, illustrated
B.J. Kospoth, "André Lhote," Chicago Tribune, Chicago, July 18, 1926, illustrated
Pierre Courthion & Jacques Rivière, André Lhote, Paris, 1926, illustrated
Condition
The canvas has not been lined. A very faint vertical stretcher bar mark runs down a few inches from the top center edge. There are some extremely minor, stable lines of cracking to the white pigments nearest the seated figure's knee. Two pindot-sized flecks of pigment have been visibly lost, one at the extreme top left corner and along the extreme bottom center edge. Under UV: some minor scattered spots of retouching are visible, particularly to the extreme outer edges, though a masking layer of varnish is difficult to read through. The work is in good condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.