- 3
Lucas Cranach the Younger
Description
- Lucas Cranach the Younger
- Portrait of a Woman
- signed with the insignia of the winged serpent upper left
- oil on canvas, transferred from panel
Provenance
With Blakeslee Galleries, New York;
Their sale, New York, American Art Association, 21-23 April 1915, lot 66, titled The Jeweler's Daughter;
With Ehrich Galleries, New York;
Their sale, New York, American Art Associatin/Anderson Galleries, 18-19 April 1934, lot 38 (as Lucas Cranach the Elder);
There purchased by A.L. Erlanger for $1,200.
Exhibited
New York, Wildenstein & Co, Fashion in Headdress, 1450-1943, April-May 1943, no. 21.
Literature
M.J. Friedänder and J. Rosenberg, Die Gemälde von Lucas Cranach, Berlin 1932 (under the listings for Salome, no. 283E);
M.J. Friedänder and J. Rosenberg, The Paintings of Lucas Cranach, revised edition, London 1978, p. 140 (under the listings for Salome, no. 359E);
The Art Digest [review of Fashion in Headdress], 1 May 1943, reproduced p. 7;
The New York Times [review of three exhibitions], 2 May 1943, reproduced p. X7.
Condition
"This lot is offered for sale subject to Sotheby's Conditions of Business, which are available on request and printed in Sotheby's sale catalogues. The independent reports contained in this document are provided for prospective bidders' information only and without warranty by Sotheby's or the Seller."
Catalogue Note
This elegant portrait is a characteristic example of Lucas Cranach the Younger's work in the mid-sixteenth century, an attribution confirmed by Dr. Dieter Koepplin.1 Set against a green velvet drape, which sets off her red dress and dainty cap, the sitter seems a model of the noble class who were Cranach's patrons. Her costume clearly appeals to the modern viewer as well, as the reviews of the 1943 exhibition reveal (see Literature).
The Portrait of a Woman was originally a larger composition, Salome with the Head of John the Baptist. In 1915 it was included in the sale of Highly Valuable Paintings by the Great Masters.... from the Blakeslee Collection, described as The Jeweler's Daughter, with the head of John the Baptist painted over and replaced by a gaping box filled with necklaces and bracelets. Sometime before its inclusion in the sale at the Anderson Galleries in 1934, the picture was cut down, removing the portion with the charger, but preserving Salome's right arm and moving it up to form the lower edge of the new composition.
We are grateful to Dr. Dieter Koepplin who confirmed the attribution, made on the basis of digital images, in a conversation of 9 December 2011. We are also grateful to Dr. Koepplin and to Peter Schmelzle of the Cranach Research Institute, each of whom independently connected the present work to Salome.
An old photo-certificate from Max J. Friedländer, dated 16 September 1932, ascribed this painting to Lucas Cranach, the Elder, datable to circa 1540.