Lot 212
  • 212

François de Troy

Estimate
40,000 - 60,000 USD
bidding is closed

Description

  • François de Troy
  • Portrait of Louis Alexandre de Bourbon, Comte de Toulouse
  • oil on canvas

Provenance

With Didier Aaron, New York and Paris;
From whom acquired by the present collector.

Literature

D. Brême, François de Troy, Paris 1997, p. 44, reproduced in color.

Condition

Canvas has an old relining. Overall the painting presents a strong image and is in generally healthy condition. The paint has thinned somewhat in the background above the sitter, but the figure itself has retained most detailing and coloration, especially in the face where subtle flesh tones are discernable. UV light reveals a couple isolated areas of retouches, including a larger area above the arm, and in the right part of the background, as well as in a portion of the coat, and along the right edge of the canvas. The retouches appear to have been applied well, and the painting could be hung in its current state. In a carved gilt wood frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Louis Alexandre de Bourbon, comte de Toulouse (6 June 1678 – 1 December 1737), was the third son and youngest child of Louis XIV and of his mistress, Madame de Montespan. At the age of five, around the same moment this portrait was executed by de Troy, he became Grand Admiral de France (Grand Admiral of France). Shown here gesturing towards a group of ships, the picture would appear to fortell his later military success as we would eventually take full control of the French navy under his father.

A slightly modified version of larger dimensions is recorded by Brême as dating to the same moment as the present work, 1683, and is located in the Musée des Beaux-Arts, Agen.1

1. see Literature, Brême 1997, p. 42.