German School, 15th Century

This diptych is comprised of two separate pieces of wood carved with engaged frames. The paint layer appears stable with no lifting or major losses. Some of the areas of gilding have been retouched, but the flesh tones are in a nice state of preservation. UV light reveals small scattered retouches in the upper portions of the compositions but these are minor and not disturbing to the naked eye.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

The present Annunciation is by an as yet unidentified German artist. More specifically, it appears to be by a hand working in the lower Rhenish region, possibly Westphalia. It is reminiscent of the anonymous Master of Liesborn, whose Annunciation in his eponymous altarpiece (London, National Gallery), shares with the present picture similar soft facial features and rounded faces. An interesting iconographic element is the placement of the Virgin to the left of the angel Gabriel, a rare feature in painted depictions of the Annunciation.