Wang Wenzhi 1730-1802

signed Wang Wenzhi, with a dedication, three seals of the artist, wang wen zhi yin, ceng jing cang hai, shi ye shan fang, and one collector's seal, de lu

-Close examination may reveal some minor paper loss, which are mainly on the first scroll -The paper color of the actual piece appears to be much lighter than that of the illustration
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Inscription:
All day spent in pure enjoyment, amused with water and bamboo, attracted to remote secluded places, the type where orchids grow. I have gathered together copies of the Orchid Pavilion Preface for the elegant enjoyment of Mr. Liren, my examination year-mate.  Menglou Wang Wenzhi.

Liren refers to Jiang Yu, literary name Liren, studio name Yuanhe Daoren, from Chao County, Anhui Province. He was active in the Jiaqing and Daoguang periods of the Qing dynasty. He lived in Suzou. He was a highly skilled painter of flowers, in which he followed the styles of Chen Daofu and Xu Wei, and he was also good at painting birds. When he was young he spent time with Zhang Yu, from whom he learned his painting skills. He was known to spend time at the Yu Studio of Liao Yuncha, where they fended off the winter chill by drinking wine and discussing painting.