- 320
AN ANHUA AND INCISED WHITE-GLAZED BOWL, LIANZI WAN MING DYNASTY, YONGLE PERIOD
Estimate
60,000 - 80,000 GBP
bidding is closed
Description
- porcelain
the deep rounded sides supported on a straight foot, decorated in anhua to the interior with a floral medallion, enclosed by radiating stiff petal lappets below a band of breaking waves at the rim, the exterior incised with an undulating floral scroll bearing alternating chrysanthemum and camellia blossoms below a keyfret band, applied overall with a milky-white glaze, Japanese wood box
Provenance
A Japanese Private Collection.
Condition
The bowl is in very god condition with the exception of some light glaze rubbing to the base of the interior and minor glaze firing imperfections including tiny iron spots and a burst glaze bubble on the edge of the rim.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Anhua, ‘hidden decoration’, is a complicated and not yet fully-understood manner of decoration that appears to have involved some moulding into a fine layer of slip. It was practised almost exclusively at the beginning of the Ming dynasty, from the Hongwu to the Xuande period, and only at Jingdezhen. The term is often misinterpreted and used to designate any difficult-to-decipher design, but pieces such as the present bowl, which is decorated with both incising and with anhua, clearly document the difference between the two techniques.
A closely related bowl from the Meiyintang collection is illustrated in Regina Krahl, Chinese Ceramics from the Meiyintang Collection, London, 1994, pl. 649, where she notes that although blue and white bowls of this type were also produced, but with the interior and exterior designs reversed, the Yongle emperor is believed to have preferred monochrome white wares and blue-and-white only became popular during the Xuande period (1426-35). Further bowls of this type include one in the National Palace Museum, Taipei, published in Minji meihin zuroku, vol. 1, Tokyo, 1977, pl. 102; one published in Porcelains from the Tianjin Municipal Museum, Hong Kong, 1993, pl. 73; another from the Alfred Clark collection, included in the Oriental Ceramic Society exhibition The Arts of the Ming Dynasty, London, 1957, cat. no. 9, and sold in these rooms, 26th June 1973, lot 247; and a fourth bowl from the M.C. Wang, Edward T. Chow and Mathias Komor collections, sold at Christie’s New York, 20th September 2001, lot 133.
A closely related bowl from the Meiyintang collection is illustrated in Regina Krahl, Chinese Ceramics from the Meiyintang Collection, London, 1994, pl. 649, where she notes that although blue and white bowls of this type were also produced, but with the interior and exterior designs reversed, the Yongle emperor is believed to have preferred monochrome white wares and blue-and-white only became popular during the Xuande period (1426-35). Further bowls of this type include one in the National Palace Museum, Taipei, published in Minji meihin zuroku, vol. 1, Tokyo, 1977, pl. 102; one published in Porcelains from the Tianjin Municipal Museum, Hong Kong, 1993, pl. 73; another from the Alfred Clark collection, included in the Oriental Ceramic Society exhibition The Arts of the Ming Dynasty, London, 1957, cat. no. 9, and sold in these rooms, 26th June 1973, lot 247; and a fourth bowl from the M.C. Wang, Edward T. Chow and Mathias Komor collections, sold at Christie’s New York, 20th September 2001, lot 133.