- 275
A SMALL WHITE JADE VASE QING DYNASTY, 19TH CENTURY
Estimate
10,000 - 20,000 USD
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Description
- jade
of flattened pear-shape, the quatrelobed body supported on a spreading foot, flanked by a pair of lion-head handles, the stone of creamy white, wood stand (2)
Provenance
Collection of Katherine Berwind to Margaret Berwind Cox in 1946 and thence by descent.
Condition
There are minute nicks to both the foot and mouth rims. The stone is of very high polish. and the vase is in good overall condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
A similar white jade vase of slightly larger size is illustrated in Michael Knight et al, Later Chinese Jades, Ming Dynasty to Early Twentieth Century from the Asian Art Museum of San Francisco, Hong Kong, 2007, no. 120, p. 132.