Jean-Léon Gérôme

Overall the condition is good. There is overall wear to the gilt patina with particular wear to the back, including three horizontal, slight scratches. There are some very minor original casting flaws in the hair. There is some slight black spotting to the surface. There are some slightly visible original casting joints including one to the feet and one to the thyrsus.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Jean-Léone Gérome came to sculpture late in life. He exhibited his first sculpture at the Salon of 1878 at the age of 54. He was a close friend of the sculptor Emmanuel Frémiet and was even known to describe himself as a 'pupil of Frémiet' in the Salon catalogue. The present sculpture illustrates two of the artist's defining themes - a fanciful fascination with the antique and the colouration of sculpture. The painter worked closely with the Siot-Decauville foundry who were well known for their skill in producing multi-coloured patinas. Here a subtle red tone is seen in the Bacchante's hair.