Circle of Gerard van Opstal (c. 1597-1668) French, Paris, 17th century

with a partially legible old label to the reverse inscribed in pen: 18 x 2 2, 7. luce interno 20 x 25 Fiaminga ...Vend..re 60 4A and with three pieces of tape in varying states of legibility printed: Cav. MARCO REDOLFI ANTICHITA' S. Maurizio 2663 - Tel 26840 VENEZIA

with Cav. Marco Redolfi Antichita, Venice

Overall the condition of the ivory is good with minor dirt and wear to the surface consistent with age. There is wear to some of the details due to rubbing (e.g. the faces). There is wear to the frame throughout and the joints are slightly open. There is some worming to the wood and a few losses to the edges. The central wood panel to the reverse may be later.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The movement achieved by the loose modelling of the present relief is reminiscent of Van Opstal's relief sculpture as is the exclusion of a background or a clear frame.

RELATED LITERATURE
P. Malgouyres, 'Gérard van Opstal et la sculpture en ivoire', D. Alcouffe (ed.), Un temps d'exubérance. Les arts décoratifs sous Louis XIII et Anne d'autriche, exhib. cat. Galeries Nationales Du Grand Palais, Paris, 2002, pp. 448-459