Italian, probably Lombardy, mid-15th century

private collection, Milan, since 1930

Overall the condition of the wood is good. There is wear and dirt to the surface consistent with age and handling. There is stable craquelure to the paint and wear to the gilding throughout. Sections of the paint, incuding to the edge of the drum and around the neck, have been refreshed. There are a few old worm holes consistent with material. A naturally occurring stable split that runs along the back of the head and shoulders has been filled. There are losses to the thumb and index finger of the proper left hand and the drum stick in the proper right hand.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This charming angel most probably formed part of a group of musician angels decorating stalls or a singing gallery. A famous example of such a gallery, representing a dancing and singing orchestra of angels is Luca della Robbia's cantoria in the Museo dell'Opera del Duomo in Florence. An example of this type of decoration in wood above stalls can still be found in the choir of the Sant’ Ambrogio church in Milan, where the angels surmounting the stall were carved by Giacomo da Torre, Lorenzo da Origgio and Giacomo Del Maino.