English, Nottingham, mid-15th century
- Retable with the Virgin and Child accompanied by female saints
- partially polychromed and gilt alabaster
- English, Nottingham, mid-15th century
mentioned in the will of Pedro García de Moldes y Castrillón, 1641;
thence by descent to the present owner
F. de Caso Fernandez, El arte gótico en Asturias, Gijón, 1999, p. 154
A. Franco Mata, El retablo gótico Cartagena y los alabastres ingleses en España, Murcia, 1999, pp. 57, 65 and 106-107, figs. 14 and 114-117
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
The geographical location of Asturias made it an important harbour for trade with the English. The town of Castropol, near the estuary of the Ria de Ribadeo, profited immensely from this relationship. This is illustrated by the rise to prominence of the town's leading family, the García de Moldes, in the 15th century. This enabled the family's head, the seafarer Don Diego García de Moldes, to erect a family seat and chapel according to the latest taste. It is not surprising that he turned to the English for the decoration of the chapel.
Alabaster was quarried from the Middle Ages onwards near Derby. Initially the alabaster was used for local tombs but as the malleability and abundance of the stone became apparent workshops began producing the now famous figures and reliefs illustrating the lives of Christ, the Virgin and the Saints. Although these objects were carved in a number of places such as Burton-on-Trent, Chellaston, York and even London, it was Nottingham which was the major centre for production. The trade in English alabasters became international by the fifteenth century and altarpieces can still be found in churches as far north as Iceland as far south as Zaragoza.
F. Cheetham, English Medieval Alabasters. With a catalogue of the collection in the Victoria and Albert Museum, Oxford, 1984; A. Franco Mata, El retablo gótico Cartagena y los alabastres ingleses en España, Murcia, 1999; F. Cheetham, Alabaster Images of Medieval England, Woodbridge, 2003