Italian, Florence, 18th century

Overall the condition of the bronze is good with minor dirt and wear to the surface consistent with age and handling. There are a few minor original casting flaws, including to inbetween the folds of drapery. There are a few original plugs, including two to the proper left arm and one to the proper left hip. There is a slight fissure to the back of the neck and a smaller one to the top of the head. The figure is slightly loose from the separately cast base and there are original joints visible here.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This fine bronze is cast after the statue of Augustus togatus (Augustus togate) in the Galleria degli Uffizi (inv. no 1914.76). The rectangular base, finely chiseled hair and carefully rendered hands are very close of the work of the Florentine sculptor Massimiliano Soldani-Benzi (1656-1740). The remainder of reddish-gold translucent varnish over the light brown patina is a further indicator of a Florentine origin.

RELATED LITERATURE
M. Leithe-Jasper and P. Wengraf, European Bronzes from the Quentin Collection, exhib. cat. Frick Collection, New York, 2004, pp. 262-7, no. 29