14 Camille Pissarro

Galerie Durand-Ruel, Paris (acquired from the artist on April 25, 1883)
Potter and Honoré Palmer, Chicago (acquired from the above in April 1892)
The Art Institute of Chicago (donated by the above in 1922)
E. and A. Silberman Galleries, New York (acquired from the above, May 1949)
Gabriel and Madeleine Fodor, Paris (acquired from the above)
Thence by descent to the present owner 

Paris, Galerie Durand-Ruel, 1888, no. 85
Paris, Galerie Durand-Ruel, Camille Pissarro,1892, no. 25
Chicago, Department of Fine Arts: World Columbian Exposition, May 1893, no. 3004
Atlanta, High Museum of Art, Paintings and Sculptures: Gothic to Surrealism, 1950, no. 16.
Berlin, Staatliche Museen, Auf den Spuren der Mater der Ile de France, 1963, no. 25, p. 80, illustrated
Paris, Schmit Gallery, From Corot to de Staël: French Masters from 19th and 20th Centuries, 1997, no. 35, illustrated
Paris, Schmit Gallery, Delacroix to Chagall: French Maters from 19th and 20th Centuries, 1999, no. 35, illustrated

"Choses d'art," Mercure de France, vol. IV, no. 27, March 1892, p.283
The Art Institute of Chicago, A Guide to the Paintings in the Permanent Collection, 1932, no. 22.435, p. 167
Hans Huth, "Impressionism comes to America," Gazette des Beaux-Arts, vol. XXIX, no. 6, 1946, p. 249, illustrated, p. 247
Janine Bailly-Herzberg, Correspondance de Camille Pissarro, vol. III, Condé-sur-Noireau, 1988, no. 768, p. 210 (letter to P. Durand-Ruel, dated March 21, 1892).
Ludovic-Rodo Pissarro and Lionello Venturi, Camille Pissarro, son art, son oeuvre, 1939, vol I., no. 584, catalogued p. 164; vol. II, no. 584, illustrated pl. 121
Joachim Pissarro, Camille Pissarro, New York, 1993, no. 132, pp. 121 and 225, illustrated p. 129 (incorrectly dated 1882)
Joachim Pissarro and Claire Durand-Ruel Snollaerts, Pissarro, catalogue critique des peintures, Paris, vol. II, Paris, 2005, no. 703, pp. 468-469, illustrated in color