- 230
Ed Ruscha
Estimate
200,000 - 300,000 USD
bidding is closed
Description
- Ed Ruscha
- The End #28
signed and dated 2003
- acrylic and ink on paper
- 24 by 30 in. 61 by 76.2 cm.
Provenance
Sprüth Magers, London
Acquired by the present owner from the above in 2006
Condition
This work is in very good condition overall. There is evidence of light wear and handling along the edges. All paint splatters and marks in the red portion of the composition are presumably inherent to the artist’s working method. The sheet is laid into the frame. Framed under Plexiglas.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
"I can't always identify where it intersects, movies and paintings or movies and art? It all sort of works together" - Ed Ruscha