Lot 174
  • 174

Richard Diebenkorn

Estimate
250,000 - 350,000 USD
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Description

  • Richard Diebenkorn
  • Untitled #16
  • signed with the artist's initials and dated 81
  • gouache and wax crayon on 2 attached sheets
  • 24 by 25 1/8 in. 61 by 64 cm.
  • This work will be included in the forthcoming Richard Diebenkorn Catalogue RaisonnĂ© under number RD 3510.

Provenance

M. Knoedler & Co., New York
Private Collection, New York

Exhibited

New York, M. Knoedler & Co., Inc., Richard Diebenkorn, January 1982, no. 47
New York, Leslie Feely Fine Art, Drawings by Henri Matisse and Richard Diebenkorn, April - June 2012

Condition

This work is in very good condition overall. There are pinholes on the corners and edges. There is light undulation to the sheet consistent with the artist's use of medium. There is light evidence of wear and handling around the edges. The colors appear richer with stronger contrast in the background in the original, specifically in the central form, than in the catalogue illustration. The sheet is hinged verso to the matte intermittently along the edges. Framed under Plexiglas.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

"In 1981 I did accept both a theme and a motif in the form of the black playing card pips, clubs and spades. I had used these signs in my work almost from my beginnings, but always peripherally, incidentally, and perhaps whimsically. So at this point I dealt with them directly - as theme and variation. I discovered that these symbols had for me a much greater emotional charge than I realized. I had intended to involve myself with them only briefly but found that their impetus kept me with them almost a year and a half." - Richard Diebenkorn