L12021

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Lot 120
  • 120

Jeff Wall

Estimate
150,000 - 200,000 GBP
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Description

  • Jeff Wall
  • Poppies in a Garden
  • transparency in light box
  • 112 by 135 by 20cm.; 44 1/8 by 53 1/8 by 7 7/8 in.
  • Executed in 2006, this work is number 2 from an edition of 8.

Provenance

Marian Goodman Gallery, New York
Acquired directly from the above by the present owner in 2006

Condition

Colour: The colours in the catalogue illustration are fairly accurate, although the overall tonality is brighter and more vibrant in the original. Condition: This work is in very good condition and in full working order.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

"The fascination of this technology for me is that it seems that it alone permits me to make pictures in the traditional way. Because that's basically what I do, although I hope it is done with an effect opposite to that of technically traditional pictures. The opportunity is both to recuperate the past - the great art of the museums - and at the same time to participate with a critical effect in the most up-to-date spectacularity. This gives my work its particular relation to painting. I like to think that my pictures are a specific opposite to painting."

Jeff Wall, 'The Spectres of the Everyday' in: Jeff Wall, London 2002, p. 164