After Nicolas Lancret

The canvases are lined. Both works have a little frame abrasion and old restored damages but there are no major damages apparent to either. The paint surfaces are flat and a little dirty, but the colour and detail of the works are well-preserved. A pronounced craquelure runs throughout both works. Offered in gold painted wooden frames in fair condition, though a little ill-fitting.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Though these works clearly derive from two of the four compositions by Lancret from his series The Four Times of Day (see M. Tavener Holmes, Nicolas Lancret 1690 - 1743, exhibition catalogue, New York, 1991, pp. 90- 93, plates 20a. and 20d.), the differences in colouring and the fact that the current works are in reverse suggests that they are after engravings of the originals.