Régale en bois noirci, travail provincial en partie du XVIIIe siècle

le plateau garni de soie (déchirures), découvrant un clavier en ébène et ivoire et un soufflet ; (pédalier manquant)

The illustration is quite accurate. The structure, despite some woodworm holes, is solid. The top of the régale is covered with silk which is in poor condition. The inside is covered with a charming printed paper which is stained and torn in places due to some wood cracks. As said in the catalogue, the pedalboard is missing and it is not in working order any longer; otherwise, it still contains the bellows and the keyboard is complete. The instrument would benefit from a global restoration; however, it remains an interesting and uncommon testimony of music history. A similar ebonized régale-table is visible in the Music museum in Paris.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

François Lesure, Collection musicale André Meyer, Abbeville, 1961, reproduit, pl. 290

A French ebonised reed organ or harmonium, partly 18th century