- 287
Ruffo, Vincenzo (c.1508-1587).
Description
- Il primo libro de madrigali cromatici a quattro voci, gionta di alquanti madrigali del medesimo autore, [parties].Venise: Antonio Gardano, 1552.
- paper
Literature
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Ruffo fut l'un des compositeurs italiens les plus productifs et versatiles du milieu du XVIème siècle. Il était membre de la première académie italienne de musique : l'Accademia Filarmonica à Vérone, sa ville natale, où il composa des madrigaux à profusion. Il fut successivement maestro di capella à Vérone (où il enseigna probablement à Ingegneri (le professeur de Monteverdi) et Andrea Gabrieli) et à Milan.
Rare: We have no record of music by Vincenzo Ruffo appearing at auction since the Landau sale in our London rooms in 1949. This is the only copy of any of Ruffo's madrigals in France. These two parts include the first printings of four madrigals not printed in earlier editions. There is a single Cantus part in the British Library.
Ruffo was one of the most productive and versatile Italian composers of the mid sixteenth century. He was a member of the first Italian Academy primarily concerned with music: the Accademia Filarmonica of Verona, the city where he was born, and where he composed madrigals prolifically. He was successively maestro di capella at Verona (where his pupils probably included Ingegneri (Monteverdi's teacher) and Andrea Gabrieli) and Milan.