- 163
Loeillet, Jean-Baptiste (1680-1730).
Estimate
1,500 - 2,000 EUR
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Description
- - Sonatas or Solos for a Flute with a Through Bass for the Harpsicord or Bass Violin. Compos'd by Jean Luly of Gant. Parte [en partie effacé : 'Prima'] [partition]. London: Walsh and Hare, [c.1712]. première édition, 53 pages, in-folio (29.9 x 22.6 cm), musique gravée, ex-libris manuscrit de Alfred Moffat à la page de garde, demi-basane postérieure, restaurations à la page de titre, rogné par le relieur. [Smith 429].
- paper and ink
- XII Sonatas in three parts...Opera Secunda [parties]. London: Walsh and In.o and Joseph Hare, [c.1725]. première édition, 3 parties, 24, 24, 24 pages, in-folio (30.8 x 22.8 cm), musique gravée, cartonnage marbré de l'époque, travail de vers à la marge supérieure d'une partie, reliure légèrement usagée ; avec un deuxième exemplaire de la partie du basso continuo.[Smith 958].
- [XII Sonatas or solos for a flute with a thorough bass for the harpsicord or bass violin...Opera 2da. London: Walsh and Hare, [c.1715 ou c.1730].] 46 pages, in-4 oblong, (23 x 33.2 cm), musique gravée, couvertures marbrées tardives, manque la page de titre, taches d'encre anciennes à la page 5, rogné par le relieur, affectant légèrement la surface gravée de quelques feuillets, plats usagés. [Smith 476 ou 949].
- [XII Sonatas or solos for a flute with a thorough bass for the harpsicord or bass violin...Opera 2da. London: Walsh and Hare, [c.1715 ou c.1730].] 46 pages, in-4 oblong, (23 x 33.2 cm), musique gravée, couvertures marbrées tardives, manque la page de titre, taches d'encre anciennes à la page 5, rogné par le relieur, affectant légèrement la surface gravée de quelques feuillets, plats usagés. [Smith 476 ou 949].
Condition
Condition is described in the main body of the cataloguing, where appropriate.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Trois rares éditions par le célèbre maitre et professeur de clavecin Jean Baptiste Loeillet. Ce fut probablement dans sa maison à Covent Garden, Londres, en Décembre 1714, que le Concerti grossi op.6 de Corelli fut représenté pour la première fois en Angleterre. (TNG, xv, p.63).
Three rare editions by the celebrated master and teacher of the harpsichord Jean Baptiste Loeillet. It was in his house in Covent Garden, London, probably in December 1714, that Corelli's concerti grossi op.6 were first performed in England (TNG, xv, p.63).
Three rare editions by the celebrated master and teacher of the harpsichord Jean Baptiste Loeillet. It was in his house in Covent Garden, London, probably in December 1714, that Corelli's concerti grossi op.6 were first performed in England (TNG, xv, p.63).