- 12
Bach, Carl Philipp Emanuel (1714-1788).
Estimate
2,000 - 3,000 EUR
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Description
- Concerto per il cembalo concertato accompagnato da 2. violini, violetta, e basso [Wq. 25].Nuremburg: Balthasar Schmidt, [1752].
- paper and ink
première édition, 16 pages, entièrement gravé, planches numérotées xxxvii, parties d'accompagnement individuelles des violons manquantes, feuillets montés sur onglets avec des extensions de papier aux marges extérieures, sans pertes.
[Relié avec] :
Pellegrini, Ferdinando.
- Sonates pour le Clavecin, avec une lettre sur les Pièces de Clavecin en Rondeau, Op.1. Paris: Bayard, Vernadé et Castagneri, (s.d.).
33 pages, préface (4pp.) et annonce de l'éditeur en fin d'ouvrage, 5 premiers feuillets tachés, [RISM P1155 (l'unique exemplaire de l'unique édition)].
- Six Sonates pour le Clavecin, Op.7. Paris: aux adresses ordinaires de Musique (s.d.).
9 pages [RISM P1165 (2 exemplaires seulement)].
3 volumes en un, in-folio (33.5 x 25.5 cm), demi-vélin vert du XVIIIe siècle, titre doré sur pièce de maroquin rouge sur le dos, étiquette du libraire gravée sur le premier contreplat (Jollivet l'ainé).
[Relié avec] :
Pellegrini, Ferdinando.
- Sonates pour le Clavecin, avec une lettre sur les Pièces de Clavecin en Rondeau, Op.1. Paris: Bayard, Vernadé et Castagneri, (s.d.).
33 pages, préface (4pp.) et annonce de l'éditeur en fin d'ouvrage, 5 premiers feuillets tachés, [RISM P1155 (l'unique exemplaire de l'unique édition)].
- Six Sonates pour le Clavecin, Op.7. Paris: aux adresses ordinaires de Musique (s.d.).
9 pages [RISM P1165 (2 exemplaires seulement)].
3 volumes en un, in-folio (33.5 x 25.5 cm), demi-vélin vert du XVIIIe siècle, titre doré sur pièce de maroquin rouge sur le dos, étiquette du libraire gravée sur le premier contreplat (Jollivet l'ainé).
Literature
RISM B50 ; Hoboken 172 ; Helm 429
Condition
Condition is described in the main body of the cataloguing, where appropriate.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Les cinquante concertos pour clavier de Carl Philipp Emmanuel Bach "représentent un des premiers sommets du genre" (The New Grove) ; il composa ce concerto en 1749 pour son usage personnel, et ne le vit publié qu'en 1752 par Balthasar Schmidt, l'éditeur de Jean-Sebastian Bach.
CPE Bach's fifty keyboard concertos "represent an early peak of the genre" (The New Grove); this concerto being written for his own use in 1749, and only printed by JS Bach's publisher Bathasar Schmidt in 1752.
CPE Bach's fifty keyboard concertos "represent an early peak of the genre" (The New Grove); this concerto being written for his own use in 1749, and only printed by JS Bach's publisher Bathasar Schmidt in 1752.