PF1227

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Lot 101
  • 101

Gombert, Nicolas (v.1495 - v.1560)

Estimate
3,000 - 5,000 EUR
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Description

  • Liber secondus cum quinque vocibus [parties].Venise: Antonio Gardano, 1552.
  • paper
3 volumes (sur 5), Cantus, Quintus et Tenor, composés chacun de 20 feuillets ([1] et 39 pages), in-4 oblong (15.5 x 21.3 cm), vignettes et lettrines gravées sur bois sur les pages de titre, musique imprimée, parties d'Alto et de Bassus manquantes, déreliés, léger travail de vers aux marges supérieures, quelques taches aux marges.

Literature

RISM G2986 ; Censimento 16 CNCE 44339 (4 exemplaires, aucun en France).

Condition

Condition is described in the main body of the cataloguing, where appropriate.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Nicolas Gombert était "l'un des trois compositeurs de musique polyphonique sacrée les plus importants durant la période délimitée par Josquin et Lassus" (G. Reese, Music in the Renaissance, 1959, p.343) ; il fut probablement l'élève de Josquin. Ses oeuvres les plus importantes sont ses messes et surtout ses motets, dont l'un fut par la suite pris pour modèle par Monteverdi.

 Nicolas Gombert was "one of the three most important composers of sacred polyphony in the period between Josquin and Lassus" (G. Reese, Music in the Renaissance, 1959, p.343); he was probably a pupil of Josquin. Gombert's most important works are his masses and, especially, his motets, one of which was later used as a model by Monteverdi.