PF1231

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Lot 67
  • 67

Gilles Aillaud

Estimate
25,000 - 35,000 EUR
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Description

  • Gilles Aillaud
  • Piscine et deux otaries
  • signé et daté 76 au dos
  • huile sur toile
  • 195 x 250 cm; 76 3/4 x 98 7/16 in.

Provenance

Galerie de France, Paris
Acquis auprès de celle-ci en 2001

Exhibited

Paris, Musée d'Art Moderne de la Ville, Gilles Aillaud, le proche et le lointain, 1980; catalogue, p.56, illustré
Caen, Hôtel d'Escoville, Gilles Aillaud, peintures, 1982
Londres, Institute of Contemporary Arts Gallery, Zoos, 1982
Paris, Galerie de France, Gilles Aillaud, du pareil au même, 2001
Monaco, Salle du Quai Antoine 1er, Rétrospective Gilles Aillaud, 2001

Literature

Nicolas Pesques, Gilles Aillaud, Marseille 2001, p.109, illustré en couleurs
Jean -Christophe Bailly, Gilles Aillaud, Marseille 2005, p.201, no.77, illustré en couleurs

Condition

The colours are fairly accurate in the catalogue's illustration, although the overall tonality is brighter in the original. The work is executed on its original canvas and is not relined. Under UV light, are visible two minor careful retouchings (approximately 2 cm long) located at the extremity of the lower right corner. This work is in excellent condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

" Aillaud peint presque exclusivement des animaux. Des animaux enfermés dans des cages, des enclos et des verrières ou derrière les grilles des zoos. Des animaux aliénés, déplacés, déportés, parqués, à qui on offre pourtant toutes les apparences de la liberté et de la sécurité. Voir les apparences de la nature d'où ils ont été retirés. "
(Jean Clair, à l'occasion de la parution du DVD La Figuration Narrative Volume 2, 1998)