- 49
Antonin Artaud
Estimate
200,000 - 300,000 EUR
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Description
- Antonin Artaud
- SANS TITRE
signé Antonin Artaud et dédicacé à Florence la Pauvre qui elle aussi se révoltera (en bas à gauche)
- mine de plomb sur papier
- 63,3 x 50,3 cm
- 24 7/8 x 19 7/8 in.
Provenance
Florence Loeb, Paris (offert par l'artiste)
Exhibited
Paris, Galerie Pierre, Portraits et dessins par Antonin Artaud, 1947
Paris, L'Atelier, 1967
Milan, Palazzo Reale, 1974
Paris, Librairie-Galerie Obliques, 1976
Londres, National Book League, Artaud and After, 1977, no. 107
Paris, Musée d'art moderne de la ville de Paris & Bruxelles, Musée d'Ixelles, L'Aventure de Pierre Loeb, la Galerie Pierre, Paris, 1924-1964, 1979, no. 14 (titré Figures)
Les Sables-d'Olonne, Musée de l'Abbaye Sainte-Croix, Antonin Artaud (1896-1948), Dessins, 1980, no. 22 (titré Figures)
Paris, Galerie Jeanne Castel, Un Certain art des années 50, 1982
Paris, Musée national d'art moderne, Centre Georges Pompidou, Antonin Artaud : Dessins, 1987, no. 63
Saint-Étienne, Musée d'art moderne, L'Écriture griffée, 1990-91, n.n.
Londres, Tate Gallery, Paris Post War : Art and Existentialism 1945-1955, 1993, no. 14 (titré Portraits)
Saint-Sébastien, Koldo Mitxelena Kulturunea, Formas del abismo : el cuerpo u su respresentación extrema en Francia 1930-1960, 1994-95, n.n.
Marseille, Musée Cantini, Antonin Artaud, œuvres sur papier, 1995, no. 81 (titré Figures)
New York, Museum of Modern Art, Antonin Artaud : Works on Paper, 1996-97, no. 63 (titré Faces)
Paris, Bibliothèque nationale de France, Antonin Artaud, 2006-07, no. 9 (titré Figures)
Madrid, La Casa Encendida, Obra Social Caja Madrid, Artaud, 2009, n.n. (titré Figures)
Paris, L'Atelier, 1967
Milan, Palazzo Reale, 1974
Paris, Librairie-Galerie Obliques, 1976
Londres, National Book League, Artaud and After, 1977, no. 107
Paris, Musée d'art moderne de la ville de Paris & Bruxelles, Musée d'Ixelles, L'Aventure de Pierre Loeb, la Galerie Pierre, Paris, 1924-1964, 1979, no. 14 (titré Figures)
Les Sables-d'Olonne, Musée de l'Abbaye Sainte-Croix, Antonin Artaud (1896-1948), Dessins, 1980, no. 22 (titré Figures)
Paris, Galerie Jeanne Castel, Un Certain art des années 50, 1982
Paris, Musée national d'art moderne, Centre Georges Pompidou, Antonin Artaud : Dessins, 1987, no. 63
Saint-Étienne, Musée d'art moderne, L'Écriture griffée, 1990-91, n.n.
Londres, Tate Gallery, Paris Post War : Art and Existentialism 1945-1955, 1993, no. 14 (titré Portraits)
Saint-Sébastien, Koldo Mitxelena Kulturunea, Formas del abismo : el cuerpo u su respresentación extrema en Francia 1930-1960, 1994-95, n.n.
Marseille, Musée Cantini, Antonin Artaud, œuvres sur papier, 1995, no. 81 (titré Figures)
New York, Museum of Modern Art, Antonin Artaud : Works on Paper, 1996-97, no. 63 (titré Faces)
Paris, Bibliothèque nationale de France, Antonin Artaud, 2006-07, no. 9 (titré Figures)
Madrid, La Casa Encendida, Obra Social Caja Madrid, Artaud, 2009, n.n. (titré Figures)
Literature
Paule Thévenin & Jacques Derrida, Antonin Artaud. Dessins et Portraits, Paris, 1986, no. 108, reproduit p. 239
Condition
Executed on paper, very probably laid down on paper. The sheet is fixed to the mount at various points. The edges are slightly irregular. A close inspection reveals some scattered repaired tears. The most important of which are a vertical one and a sinuous diagonal one which are visible just above the centre of the composition, and two horizontal ones, running from the right edge and in the background of the lower part of the composition. There are some scattered flattened creases visible at the centre of the upper left edge and in the upper left and lower corners. Apart from some scattered media marks and time-staining, this work is in stable condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
« Qui suis-je ? D'ou viens-je ?
Je suis Antonin Artaud
Et que je le dise
Comme je sais le dire
Immédiatement
Vous verrez mon corps actuel
Voler en éclats
Et se ramasser sous dix mille aspects
Notoires
Un corps neuf
Où vous ne pourrez plus jamais m'oublier. »
Antonin Artaud, "Post scriptum" in Pour en finir avec le jugement de Dieu, 1948
Je suis Antonin Artaud
Et que je le dise
Comme je sais le dire
Immédiatement
Vous verrez mon corps actuel
Voler en éclats
Et se ramasser sous dix mille aspects
Notoires
Un corps neuf
Où vous ne pourrez plus jamais m'oublier. »
Antonin Artaud, "Post scriptum" in Pour en finir avec le jugement de Dieu, 1948