A FINE BLUE AND WHITE 'GARDEN' VASE, YUHUCHUN PING SEAL MARK AND PERIOD OF QIANLONG

the well potted pear-shaped body decorated in vivid cobalt blue with a balustraded garden, planted with bamboo and plantain trees beside rocks, all set between pendent ruyi heads and upright lappets, the waisted neck collared with scrolls and stylised plantain leaves rising to a trumpet mouth, the flared foot further decorated with lotus florets, the base inscribed with a six-character reign mark in underglaze blue

The overall condition is very good with only some surface scratches.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The present landscape design originated in the early Ming dynasty and this combination of motifs was popular amongst the literati for its auspicious meaning. Bamboo symbolises longevity, endurance and loyalty as it remains green in winter and does not break in the wind, while the plantain tree represents education. Classical legends tell the tale of a scholar who wrote on plantain leaves as he was too poor to afford any paper. Rocks symbolise durability and steadfastness and are associated with reliability and friendship.

A closely related example in the National Palace Museum, Taipei, is illustrated in Porcelain of the National Palace Museum. Blue and White Wares of the Ch'ing Dynasty, vol. II, Hong Kong, 1968, pl. 12; another in the Palace Museum, Beijing, is published in Zhongguo taoci quanji, vol. 12, Shanghai, 2000, pl. 12; another was sold in our New York rooms, 20th March 1976, lot 174, and again at Christie's New York, 17th September 2008, lot 459; and a fourth example was sold at Christie's Hong Kong, 30th May 2006, lot 1410, and again in these rooms, 8th October 2010, lot 2773.

For the prototype of this vase, see two in the Palace Museum, Beijing, one attributed to the Yongle reign, illustrated in The Complete Collection of Treasures of the Palace Museum. Blue and White Porcelain with Underglazed Red (I), Hong Kong, 2000, pl. 33; and the other attributed to the Xuande period, published in Ye Peilan, Appraising Ancient Chinese Ceramics, Taipei, 1994, pl. 83.