- 3148
A CARVED CINNABAR LACQUER STEMBOWL MING DYNASTY, 16TH CENTURY
Description
- Lacquer
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
A stembowl of this form and size, deeply carved with a scene of warriors on horses and foot soldiers engaged in battle within the compounds of an impressive city wall, illustrated in Sir Harry Garner, Chinese Lacquer, London, 1979, pp. 123-128, colour pl. C and pls. 60-63, and in Derek Clifford, Chinese Carved Lacquer, London, 1992, pl. 65, was sold at Christie's London, 16th November 1998, lot 13. Clifford, ibid., p. 91, notes that the 'miniature pictorial style, the freely drawn unconventional diapers, the elaboration of the theme, the strong diagonal, and linear detailing of the rocks all point directly to the Wang Ming atelier at Pingliang'. The close similarities in form, size and carving style of the two stembowls suggest that they may be the product of the same workshop, or were even possibly made by the same hand.
See also a pair of smaller stembowls decorated with a continuous landscape scene, included in the exhibition From Innovation to Conformity. Chinese Lacquer from the 13th to 16th Centuries, Bluett and Sons., London, 1989, cat. no. 24, offered in these rooms, 2nd November 1994, lot 259; and a finely carved cinnabar lacquer stembowl of related size and form, showing a lively battle scene, published in Lee Yu-Kuan, Oriental Lacquer Art, New York and Tokyo, 1972, pl. 123.
The carver may have been inspired by two earlier stembowls with scenes of playing children as the main design, in the National Palace Museum, Taipei, included in the museum's Special Exhibition of Lacquer Objects, National Palace Museum, Taipei, 1981, cat. nos. 13 and 14, both bearing Xuande reign marks and attributed to the period.