L12220

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Lot 602
  • 602

An Indian carved ivory box with surface-mounted medallions with representation of Mughal and other monuments, Company School, India, circa 1880

Estimate
5,000 - 7,000 GBP
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Description

  • ivory, frames with miniature paintings
of rectangular form, the ivory finely decorated in openwork with stylised flowerheads inside roundels, with a leafy background and a geometric border, inset with six rectangular glass and silver-framed panels to the sides and two oval to the top, each one containing a Company School gouache on ivory painted scene of a monument, including two scenes of the Taj Mahal in Agra, two scenes of the Red Fort in Delhi, the Moti Masjid (or Pearl Mosque) in the Delhi Fort, Akbar's tomb in Sikandra, the Daulat Khana-i Khass (or Private Audience Hall) in Shahjahanabad fort, Delhi, and the Golden Temple at Amritsar  

Condition

In general good condition, one angle near base with very small crack, one or two feet possibly re-affixed to base, as viewed
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

A similar ivory box with carved and pierced decoration and mounted with miniatures of multiple Indian monuments is in the Victoria and Albert Museum (inv. no. IS.2-1957); the miniatures are attributed to the painter Lala Faqir Chand, circa 1880 (New York 2012, p.193, no.96).