A pair of French carved giltwood bergères in the manner of François-Honoré Jacob-Desmalter in Louis XVI style, first half 19th century

each with an arched padded back, the top-rail carved with a ribbon-tied bouquet, above downscrolled padded arms and loose cushion bowed seat on stop-fluted tapering legs terminating in toupie feet; one with the inventory in black ink No 68, the other No. 76; reblocked; one chair bearing the stamp Jacob; regilt;

Acquired by Sir Charles Wolseley (7h Bart.) (1769-1846), Wolseley Hall, Staffordshire
Thence by descent

In overall very good conserved condition. Joints sound and sturdy. Strong model. There are hairline construction cracks to the joints which are normal with age and usaage and can easily be left and which are hardly noticeable. Very minor rubbing and wear to the gilding consistent with use. An attractive pair.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Comparative Literature:
Lady Wolseley, Wolseley: a Thousand Years of History, (Lichfield Press, 2003).

There is a portrait of Sir Charles Wolseley sitting in one of these giltwood bergères. He was a great Francophile, who in his youth, went on a Grand Tour, and whilst in France took part in the storming of the Bastille during the French Revolution. He travelled extensively and possibly acquired this pair of bergères during one of his many trips to France and brought them back to the family seat in Staffordshire. It has been a longstanding tradition and remains so to this day amongst the Wolseley Baronets to have their portraits painted and the one illustrated demonstrates the high regard in which these bergères were held that they have been included in the portrait of the 7th Baronet.