PF1215

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Lot 163
  • 163

Antoni Tàpies

Estimate
45,000 - 55,000 EUR
bidding is closed

Description

  • Antoni Tàpies
  • Couverture roulée
  • signé au dos
  • peinture et assemblage sur couverture
  • 87 x 77,5 cm; 34 1/4 x 30 1/2 in.
  • Exécuté en 1970.

Provenance

Galerie Maeght, Paris
Galería Joan Mas, Barcelona
Galería Dau al Set, Barcelona
Collection particulière, Espagne
Transmis par descendance au propriétaire actuel

Exhibited

Zürich, Galerie Maeght, Tàpies. Peintures. Objets, 1971, no. 62

Literature

Anna Agusti, Tàpies, Catalogue raisonné, Volume 3, 1969-1975, Paris, 1992, p.160, no.2256, illustré

Condition

The colours are fairly accurate in the catalogue illustration, although the orange is lighter in the original and does not tend to red as per the illustration. Along the right edge of the work, the black line in the illustration is a shadow of the fabric and does not exist in the original. The work is executed on a white felt blanket. The work is in excellent condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Joseph Beuys, Plight, 1958-1985 © Paris, Centre Georges Pompidou

"Chez Tàpies, toutes ces recherches de matières, de matériaux et d'objets visent la connaissance de la réalité du monde et ne se bornent pas à exposer, comme dans certaines tendances de l'art contemporain, des matières, des matériaux et des techniques, comme une fin en soi."
(Youssef Ishaghpour, Antoni Tàpies, Barcelone, 2006, p.86)