Zao Wou-Ki

Galerie de France, Paris
Acquis auprès de celle-ci par le propriétaire actuel en 1975

The colours are fairly accurate int he catalogue's illustration, although the overall tonality is lighter in the original work. The work is carefully taped to the mount on the reverse at each of the four corners. Are only visible under very close inspection: -4 artist pinholes located at the extremity of upper corners and left lower corner -few thin flattened creases located along the right and left edges -light discoloration along the four edges This work is in excellent condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

"Je me posais toujours les mêmes questions: comment représenter le vent? Comment peindre le vide? Et la lumière, sa clarté, sa pureté? Je ne voulais pas représenter mais juxtaposer des formes, les assembler, pour qu'on y retrouvât le souffle de l'air sur le calme de l'eau."
(Zao Wou-Ki in Zao Wou-Ki, Catalogue d'exposition du Musée des Beaux de Tours, 1er décembre 1990-17 février 1991, p.10)