Mossi Female Figure, Burkina Faso

Christine Valluet, Paris
Drs. Nicole and John Dintenfass, New York, acquired from the above in 1995
Martin Lerner, New York, acquired from the above

Good condition overall for an object of this type and age. Proper right hand broken and loss to proper left hand. Neck possibly broken and restored. Minor nicks, scratches, and abrasions throughout. Exceptionally fine varied brown patina with encrustation. Square metal sleeve in underside of proper left foot for the insertion of base.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

The present figure is identifiable by its elongated torso and arms, sagittal crest, and high pointed breasts as the work of a Mossi sculptor of central Burkina Faso.  According to Roy (1987: 152), "the Mossi produce several types of figures, including wooden figures that are used in burials, where they replace the corpse of the chief.  Smaller wooden figures are used in village ceremonies that honor the chief [...] in contrast to masks, which are used by the Tengabisi in family religious ceremonies, figures are used by the Nakomsé in a political context, as visual affirmations of the nam or right to rule of the Naba."

Free standing Mossi figures are rare, and miniature examples rarer still.  This elegant example bears an exceptionally fine, partially encrusted patina consistent with long ritual use.  See Roy (ibid.: 10 and 161, fig. 128) for a large size figure of closely related style.