Lot 136
  • 136

Dogon ritual object, Mali

Estimate
8,000 - 12,000 USD
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Description

  • wood
  • Height: 12 3/4 in (32.4 cm)

Provenance

Jean Herment, Metz
Paolo Morigi, Lugano
Helmut Gernsheim, Castagnola
Martin Lerner, New York, acquired from the above in 1978

Condition

Very good condition for an object of this rare type and age. Exceptionally fine surface encrusted with remnants of ritually-applied material. Some areas of rubbing and abrasion to crusty surface exposing medium brown wood underneath, including to the lateral edges of the main shaft and high points of figure. Very minor chips, scratches, and abrasions. Remains of two metal pieces, with bent ends protruding, on the end opposite the figure. Square metal sleeve embedded for insertion of base post.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

This fine figural-architectural sculpture features a seated figure above a tall flat form, with geometric openwork, resembling the hilt of a knife.  Several related works are known: see one in the Seattle Art Museum (inv. no. "67.53"); and another offered at Sotheby's Paris, December 5, 2003, lot 112.  All share in common small pieces of metal which preclude the presence of a blade where it would be expected, and indeed seem too thin and broad to be handles.  These metal pieces were seemingly for the addition of an unknown attachment though none with any such attachment is known.  Although the specific use of this enigmatic object remains a mystery, the layered patina attests to its function within sacred ceremonies, as the refined quality of the sculpture does to its ritual importance.