L12624

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Lot 17
  • 17

Enrico Castellani

Estimate
250,000 - 350,000 GBP
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Description

  • Enrico Castellani
  • Superficie
  • signed, titled and dated 1973 on the stretcher
  • acrylic and polyester resin on canvas
  • 150 by 150cm.
  • 59 by 59in.

Provenance

Galleria dell'Ariete, Milan
Galleria la Tartaruga, Rome
Private Collection
Acquired from the above by the previous owner

Exhibited

Parma, Università di Parma, Centro Studi e Archivio della Comunicazione, Enrico Castellani, 1976, no. 88, illustrated

Condition

Colour: The colours in the catalogue illustration are fairly accurate, although the white hue is slightly lighter and creamier in the original. Condition: This work is in very good and original condition. There are a few scattered spots of media accretion to the white quadrant. No restoration is visible under ultraviolet light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

"For me, the question is that of creating a totally white surface outside any pictorial phenomenon, any intervention extraneous to the value of the surface: this is a white surface that is a white surface and nothing else. With the ‘lines’ there is not even the possible ambiguity of the picture: the line extends only in length, it runs to infinity, the only dimension of time […] There is nothing to say: one can only be."

(the artist quoted in: Exhibition Catalogue, Milan, Fondazione Prada, Enrico Castellani: 1958-1970, 2001, p. 45)