Lot 26
  • 26

Frank Lloyd Wright

Estimate
8,000 - 12,000 USD
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Description

  • Frank Lloyd Wright
  • Interior Window from the Kersey C. DeRhodes House, South Bend, Indiana
  • cathedral, opalescent, opaque and clear glass in flat zinc cames

Literature

Julie L. Sloan, Light Screens:  The Complete Leaded-Glass Windows of Frank Lloyd Wright, New York, 2001, pp. 294-295 (for a discussion and a closely related window design from the K. C. DeRhodes House)

Condition

Overall in excellent condition. This window has recently been sensitively cleaned by a professional restorer who specializes in leaded windows. The glass with some minute air bubbles and particulate inclusions inherent in the making. The window is structurally sound. The window presently with no additional later frame. The majority of this window is executed in clear glass and the decorative elements are articulated in a bright red, pale yellow and opalescent glass. The outer cames with some light rubbing to the surface. A wonderful graphic example of Frank Lloyd Wright's stained glass work. This window is accompanied by a custom-designed light box, which will be available to the successful buyer.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

"The windows of the K. C. DeRhodes house are very unusual in Wright's window designs to date.  Their motifs are created with scalene triangles paired to form sharply pointed arrows, shapes grouped at the top of the composition.  The triangular forms resemble wheat berries, with the chaff overlapping the kernel and awn, created by a lead line extending upward."
—Julie Sloan, Light Screens, p 295.