Lot 123
  • 123

Harry Bertoia

Estimate
25,000 - 35,000 USD
bidding is closed

Description

  • Harry Bertoia
  • Sound Sculpture
  • beryllium copper and brass

Provenance

Family of Oreste Bertoia, brother of the artist
Thence by descent to the present owner

Condition

Overall very good original condition. This sound sculpture is from the family of Oreste Bertoia, the brother of the artist. Oreste, a trained musician, shared with his brother an appreciation of classical music, and they collaborated together on the series sound recordings played on Harry’s sound sculptures. This sound sculpture is in very good condition, showing a nice rich patina throughout. With some minor discoloration to the chimes and the base, which is consistent with the aging process of the materials. This model is designed with the chimes being divided into two groups. With approximately 15 rods showing minor bending. The brass base element with surface dirt and some minor areas of discoloration. A very nice example of the sound sculpture form with a very nice provenance.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Oreste Bertoia, Harry's elder brother, was a trained composer with a life-long passion for music.  When Harry began his sound sculptures, his own personal appreciation of classical music, as well as his brother's musical pursuits, provided an important backdrop for this sculpture series.  Oreste and his brother corresponded at length in 1968-1972 about the tonal possibilities of his sculptures and later his recording endeavors.  Harry wrote in one letter dated 1969 "The barn can be filled with sounds and it is a beautiful place to be." 

The present lot was acquired directly from Harry Bertoia, by Oreste Bertoia's daughter.