Richard Lin (Lin Shouyu)

signed, titled and dated 1967 on the reverse; Marlborough Galleria d'Arte, Roma and Marlborough Fine Art, London labels affixed to the reverse

Marlborough Fine Art, London
Marlborough Galleria d'Arte, Roma
Private European Collection

This work is overall in good condition. There are slight marks across the surface, particularly along the borders and near the top middle area. There are accretions on the metal bars, particularly on the top left one. There is a slight scratch on the bottom right metal bar. There is an accretion of brown in colour at 15 cm bown from the top on the left border. There is no evidence of restoration under UV light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

In Eastern philosophy, the number "four" is thought to represent balance, seasons, direction, as well as constellations. In Four and Four, Richard Lin presents four white blocks of different tones and hues on a monochromatic canvas, focusing on creating a rigid geometrical form. He places aluminium sheets alongside the blocks to create volume and texture to an otherwise level piece. In doing so, the projections create a more enigmatic and appealing piece to the viewer as shadows and recesses are created onto the canvas. Furthermore, the harsh geometrical focus as a whole enhances the minimal form to the furthest degree, creating a sense of balance and harmony; invoked within the Eastern understanding of the number "four." As a common trademark of the artist, Lin is exceptionally known for utilizing simple proportions of squares and lines by enhancing their verticality and horizontality within the canvas. The combination of clean proportionate lines maintains a sense of rationality within the piece, and allows flexibility within the interpretation of each piece. This idea of ambiguity is thought to have been influenced from the idea of "Yao Xiang" or "The Invisible Image," taken from the ancient Chinese text "I-Ching." Lin successfully creates a minimal balanced piece that enables the viewer to wholly appreciate the simplicity of basic form and dimension.