- 45
Ferdinando Andreini
Estimate
8,000 - 12,000 USD
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Description
- Ferdinando Andreini
- PAN AS HERM
- Signed Profre A. Andreoni/Firenze 1907
- Carrara marble raised on a white painted marble pedestal
- pedestal: height 36 in.; sculpture: height 42 in
- 91.5 cm; 106.5 cm
Condition
Overall in good condition. Scattered chips, nicks, scratches and surface dirt throughout. Losses to wreath and hair. Repair to left nostril. Hairline cracks to chest that travel across midsection do not impact structural integrity of the piece. Chips and losses to lower edge of base.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Ferdinando Andreini studied under Ulysse Cambo and worked primarily in Florence. He exhibited from 1861 in various salons, particularly in Turin and Florence. He is known for his bust of Vittorio Emanuele II in the Grand Consul Room in Florence.